Welcoming

Welcome

Mense sê jy is wat jy lees, wat jy eet en waarna jy kyk, maar wie is ons? Of beter, wie gee ons voor om te wees, en wat is eintlik onder ons vlees? Vlees, flesh. Flesh can be defined as “the skin of the human body". What is under ARTE 322's skin?

Choas , a state of complete confusion and lack of order. In die ARTE 322 klas glo ons in georganiseerde chaos, dis 'n plek waar jy net jouself kan wees. A place where anything goes. Mad: “A mind that does not work normally”, well we’re all mad here. To conclude all of the above, we are all mad, and a little chaotic, but all of the best people are, and the person who deals with all of our madness and organises our chaos is none other than Ms Linda Hesse, our lecturer. A woman with ambition and an eagerness to bring out the best in us.

We are ARTE 322.

About

Enough

Play

About

Gallery

gallery

black & white

Jean Roux, ARTE 122, “Growing Intentions” Marker

Bianca Botha, ARTE 322, “In a next life” Olie verf en naald en garing.

Marle Bezant, ARTE 322, "Nature inclusive in me", gel pen

Talitha De Leca, ARTE 122, “ Me, myself and I”, Pencil

Imani Klopper, ARTE 122, “ Untitled “, pen

Thabiso Meltaf, ARTE 122, “Leave a mark in everything you do”, Pencil

Talitha De Leca, “ Me, myself and I”, 2020 Pencil

Lizeri Seegers, ARTE 122, “Ek as ‘n plant”, Pencil

Sherise Celliers, ARTE 212, “everything takes time”, potlood op waterverf papier

Carmi Snijman, ARTE 122, “Anti-Corona”, Mixed media

Venter, ARTE 322 "Moegheid", potlood

Ankia Venter, ARTE 322, "Inspired by the Malan", line art

Amore Olivier, ARTE 212, Dali

Amelia Visser, ARTE 122, "Unknown", pencil

black, white & colour

Jean Roux, ARTE 122, “Transient Identities”, Marker

Nocolo Mahlalela, ARTE 122, “ Untitled ”, Box and Papers

Shané De Jager, ARTE 122, “A daily Vision”, Mixed media

Carmi Snijman, ARTE 122, “Fixed shoe”, Mixed media

Lizeri Seegers, ARTE 122, “Agter die skoen”, Mixed media

Amelia Visser, ARTE 122, “Skoenlapper”, Mixed media

Ankia Venter. ARTE 322, DAWN OF HUMAN KIND, mixed media

Jadéne Croshaw, ARTE 322, “Honeycomb “, Wood

Amoré Olivier. ARTE 212, 'Ancestral life', mixed media

Elrie Hanekom, ARTE 212, Daphne

Lieze Jacobz, "unknown"

Lieze Jacobz, "Evidence".

Marmarie Schreuder. ARTE 212, “Die verganklikheid van Mag”, Waterverf, pen en suurlemoen

Chrizaan Snyman, ARTE 322, "GARMENT", sement, akriel

Elrie Hanekom, "garment", mixed media

blue Hues

Imani Klopper, ARTE 122 “ Untitled “, mixed media

Shané De Jager, ARTE 122, “The new strange normal”, 2020 Mixed media

Chrizaan Snyman. ARTE 322, The leaf lady, mixed media

Chrizaan Snyman. ARTE 322, The broken David, 2020

Jadéne Croshaw, ARTE 322“ Belonging “, Oil paint on canvas

Anushka van Aswegen. 322 "Above clouds", Olieverf op canvas.

Ankia Venter. ARTE 322. "City of memories", pen and ink

Amoré Olivier. ARTE 122 'Rythm of time', akriel en ink

Marcha Lehmann, ARTE 222 "Self portrait with sunflowers", akriel verf

Marle Bezant, ARTE 322. "Sights of nature needed for my wellbeing", waterverf

Larisca Grobbelaar, ARTE 212, Pearl Earing

Louis Viljoen, ARTE 212, Jesus

Anushka van Aswegen, ARTE 322, "Calm", Wood, Acrylic and Stencil, Nails and Wool. A series of 4 pieces that takes me to the place where I find calmness

Anushka van Aswegen, , Calm. Wood, Acrylic and Stencil, Nails and Wool A series of 4 pieces that takes me to the place where I find calmness.

Anushka van Aswegen, Calm. Wood, Acrylic and Stencil, Nails and Wool A series of 4 pieces that takes me to the place where I find calmness.

yellow & orange

Amoré Olivier. ARTE 212, ‘Mon Subconcient'. waterverf

Sherise Celliers, ARTE 212, 삶의 단맛 {translated: Sweetness of life}, Akriel op waterverf papier

Amelia Visser, ARTE 122, “Skoenlapper”, Mixed media

Gustav Lutz, ARTE 322, “The Print of Africa”, Wood

Marmarie Schreuder, ARTE 212, Selfportre, akriel

Marcha Lehmann, ARTE 212, “The hunter became the hunted”, Poeierpastel en houtskool

Gustav Lutz, ARTE 322, “A Home away from home”, Wood

Bianca Botha, ARTE 322, “Reduce Reuse Recycle”, papier

Elie Hanekom. ARTE 212, “Man made.” Potlood en waterverf potlood

Elrie Hanekom. ARTE 212, Eunoia, Potlood en waterverf podloot

Carlie de Wet. ARTE 322, “Deel de Wet”. 2020

Carlie de Wet. ARTE 322, “The holy one” 2020

Marcha Lehmann, ARTE 212, Frida Kahlo

Lieze Jacobz, ARTE 211, "masker", papier

Larisca Grobbelaar, "unknown", akriel op papier

Marmarie Schreuder, ARTE 212, Courbet

Sherise Cilliers, ARTE 212, Poor Girl

Anushka van Aswegen, ARTE 322, Stitched. Fabrication. Series of 2 works - Stitched after Rain. Personal growth journey, every piece of fabric represents a person who contributed to the personal lessons learned throughout my life, concluding to the well being of myself.

Anushka van Aswegen, Stitched. 2020. Fabrication. Series of 2 works - Stitched after Rain.

Anushka van Aswegen, Stitched. 2020. Fabrication. Series of 2 works - Stitched after Rain.

Anushka van Aswegen, Stitched. 2020. Fabrication. Series of 2 works - Stitched after Rain.

Conclusion

Concluding thoughts

The year 2020 has taken a few unexpected turns, but throughout all the cautiousness we can still smile.

Die jaar 2020 was vir ons as NWU studente moeilik met baie uitdagings maar ons het so baie dinge geleer wat ons nie van ons self geweet het nie. Mevrou Linda Hesse het die moeilike tyd vir ons as visuele kuns studente maklik gemaak.

Play

WHY ENOUGH?

The Title Enough has been chosen to confront the viewer. Enough can either be a statement or question. Is it enough? Enough. Are we doing enough? Have we had enough? Had enough been done? The viewer is able to reckon with their own mortality. Did I do enough? Am I doing enough? Am I going to do enough?